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Flouting maxim used by the main character in Daddy’s Home Movie

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dc.contributor.author Ulfa, Syahrina
dc.date.accessioned 2020-06-20T02:18:40Z
dc.date.available 2020-06-20T02:18:40Z
dc.date.issued 2018-03-20
dc.identifier.uri http://repository.umsu.ac.id/xmlui/handle/123456789/3737
dc.description.abstract This study deals with Flouting maxim in Daddy’s Home movie. The objectives of this study were to find out the types of flouting maxim in the movie, the most dominant type of flouting maxim , and the reason of flouting maxim found in the movie. Descriptive qualitative method was applied in this study. The data was collected by browsing the movie, downloading the movie, watching the movie trancribing the script and the underlining the dialogues. After analyzing the data, there were four types of maxim used in that movie. they were flouting maxim of quantity, flouting maxim of quality, flouting maxim of relation and flouting maxim of manner and the most dominant type of flouting maxim in Daddy’s Home movie was flouting maxim of relation with realtion (34.2%) while flouting maxim of quantity (17.2%), flouting maxim of quality (30%), and flouting maxim of manner (18.7%). The relation between the movie with the Rahardi’s theory was most of the dialogues between the speaker and the listener was unclearly. The listener did not give relavance contribution to the speaker en_US
dc.subject Conversational maxims en_US
dc.subject Implicature en_US
dc.title Flouting maxim used by the main character in Daddy’s Home Movie en_US
dc.type Thesis en_US


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