Please use this identifier to cite or link to this item: http://repository.umsu.ac.id/handle/123456789/3269
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dc.contributor.authorHariani-
dc.date.accessioned2020-06-10T03:32:46Z-
dc.date.available2020-06-10T03:32:46Z-
dc.date.issued2019-09-20-
dc.identifier.urihttp://repository.umsu.ac.id/handle/123456789/3269-
dc.description.abstractThis study deals with the use of scansion in the William Wordsworth‟s poems. There were two main objectives in this study. The first was to find out the metrical foot and line in William Wordsworth‟s poems. The second was to find out the kind of metrical feet dominantly appeared in William Wordsworth‟s poems. Documentation method was used in collecting the data. This study used descriptive qualitative method for analyzed the data and to describe the findngs. There were 10 poems in this research as the source of data, Surprised by Joy, To a Butterfly, With Ships The Sea Was Sprinkled, Glad Sight Whenever New With Old, It Is a Beauteous Evening, Calm, and Free, The Daffodils, I Travelled Among Unknown Men, Great Men Have Been Among Us, At Furness Abbey, The World Is Too Much With Us. The findings showed there were five kinds of metrical feet found in William Wordsworth‟s poems, Monosyllabic (Masculine or Feminine Ending), Iambic, Trochaic, Dsctylic, and Anapestic.The total number of Monosyllabic (Masculine Ending) was (3), (Feminine Ending) was (12), Iambic was (609), Trochaic was (44), Dactylic was (11), and Anapestic was (8). Iambic was the kinds of metrical feet that mostly appeared in William Wordsworth‟s poems with the total number 609en_US
dc.subjectScansion analysisen_US
dc.subjectNalysis, metrical feeten_US
dc.subjectPoemsen_US
dc.titleAn Analysis of Scansion in William Wordsworth’s Poemsen_US
dc.typeThesisen_US
Appears in Collections:English Language Education

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